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Leon Escalais (Tenor) (Cuxac-d'Aude 1859 – Paris 1941)
He commenced his vocal studies as a young man at the Music Conservatory of Toulouse, where he won prizes for singing and opera performance. He continued his studies at the Paris Conservatory with two well-known teachers of the day, Crosti and Obin, prior to making his professional debut at the Theatre du Chàteau (Paris) in 1882, in Sardanapale by Jean-Baptiste Duvernoy. Escalaís was offered a contract by the Paris Opera. His first appearance with the Paris Opera at the Palais Garnier occurred in 1883, as Arnold in Guillaume Tell. (Arnold would become one of his signature roles.). Two years later, he sang for the first time at the Thçàtre de la Monnaie in Brussels, and he made his debut at La Scala, Milan, in 1888. He left the Paris Opera in 1892 after a dispute with management and accepted engagements in Dijon, Lyon, Marseille and Italy. Among the taxing roles which he undertook were Eleazar in La Juive, Robert in Robert le diable, Raoul in Les Huguenots, Vasco in L'Africaine and the title parts in Le Cid and Sigurd. Between 1892 and 1908, Escalais sang more often in Italy than he did in his native land. He added to his repertoire such Verdi roles as Manrico in Il trovatore, Radames in Aida and the title part in Otello. Consequently, he was sometimes described as "the French Tamagno" (after Francesco Tamagno, the Italian heroic tenor). Escalaís rejoined the Paris Opera in 1908. The following year, he sang as a guest artist at the New Orleans Opera House. These would be his only performances in the United States. He retired from the stage in 1912 while still in good voice and was appointed to the Legion of Honour by the French Government in 1927. In retirement, he gave private singing lessons. One of his students was Jose Luccioni, an outstanding dramatic tenor of the 1930s and '40s. Escalaís died in Paris during the Second World War. http://en.wikipedia.org/wiki/L%C3%A9on_Escalais
Africaine: O paradis Fonotipia 39426 Xph 491
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